|
|
|
|
|
 |
PORTRAIT STENCIL SET -EYE- |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
First sketch in the contours and surfaces of the eye. The pencil strokes are subsequently worked into the illustration. |
|
|
|
|
|
|
|
Position the portrait template to cover part of the iris. Then spray a spot over it. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
You can now spray out the rest of the iris with black using the circle template. |
|
|
|
|
|
|
|
The intermediate results achieved with this loose template technique are apparent here. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
Now spray out the pupil area with a larger circle template. |
|
|
|
|
|
|
|
Add light shading below the lid. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
Using transparent black, spray in the lower shading in different phases with the aid of the template. |
|
|
|
|
|
| Then relocate the template to create the other arc of the eye. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
Shape the upper eyelid with another curve. |
|
|
|
|
|
|
|
You can see the intermediate results here. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
Add additional shading freehand outside the eye to indicate the facial area. Use another template curve to spray in additional details. |
|
|
|
|
|
|
|
Lend the upper lid greater structure with an eraser pencil. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
A coloured pencil is particularly suitable for depicting the eyelashes. |
|
|
|
|
|
|
|
| You can see the additional details here in the pupil, the reflection and the structure of the skin.
|
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
And here’s the intermediate stage of the motif! |
|
|
|
|
|
|
|
You can use a brush at the end to paint in the eyebrows. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
Practice handling the Portrait Stencil Set with this second eye illustration. |
|
|
|
|
|
|
|
A template is positioned for the pupil and one for the bright reflection. Now spray the paint on from the centre outwards. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
The reflection in the eye can be accentuated further with another edge of the template. |
|
|
|
|
|
|
|
You can see here how the circle template is deployed. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
The pupil also needs some colour. You are also sure to find the right curve on the template for this purpose. Carefully spray a light run from the outside inwards using transparent black. |
|
|
|
|
|
|
|
Now continue with the upper lid. |
|
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
Using the template, keep looking for a suitable curve again and again, partially spraying light shading in each case to give shape to the eyeball. Spray a light shadow from the upper lid to lend volume to the eyeball. |
|
|
|
|
|
|
|
Spray in softer shading freehand. You can also indicate the connection between the eye and skin with thin paint layers. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
 |
|
|
|
|
|
|
| |
The contours are also accentuated on the lower lid using the portrait template. |
|
|
|
|
|
|
|
The eyebrows are developed with a fine brush and misted over with transparent black. You can lend the eye additional structure, light edges and details with an eraser pencil. |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
 |
|
|
|
|
|
|
|
|
| |
An electric eraser enables the achievement of very bright light pinpoints.
I hope you have a lot of fun trying out these instructions! |
|
|
|
|
|
|
|
|
|
